The plan
What I am building in South Florida
A practice that joins the concert platform to the teaching studio — recitals and concerto dates, masterclasses and residencies, and a route for young players aiming at American conservatories.
The work
Four strands, running at once
Performance
Solo recitals, concerto appearances with orchestras, and chamber collaborations across the United States and Europe.
Teaching
Masterclasses, workshops and short residencies hosted by universities, conservatories and festivals.
The studio
A selective private studio, in person and online, for advanced players preparing auditions, competitions and conservatory admission.
The network
Connecting soloists and ensembles with the concert halls, festivals and cultural organisations that are looking for them.
The sequence
South Florida first, then outward
01
Now
Building the concert calendar in South Florida — recitals, concerto dates and chamber programmes — with masterclasses and short residencies running alongside them at universities and festivals.
02
Next
A formal teaching programme: a curriculum joining European and American pedagogy to the science-based approach to violin technique I developed through my doctoral research, for students preparing competitions and conservatory auditions.
03
Then
National tours, international festivals, and exchange projects with musicians and institutions in Europe and Ukraine — bringing students to the United States and taking American programming abroad.
Who it is for
The people I want to work with
Students and families
Young players aiming at American conservatories, and the families guiding them through auditions and competitions.
Universities and conservatories
Departments looking for a visiting artist for masterclasses, orchestral clinics and seminars.
Orchestras and presenters
Concerto dates, guest leadership of the first violins, and chamber programming built with the presenter.
Festivals and cultural bodies
Programmes that carry a repertoire most audiences have never heard, alongside the standard canon.
Private clients
Private concerts and cultural gatherings, programmed for the room rather than off a shelf.
Patrons and supporters
People who want to underwrite performance and education projects, and see where the money goes.
If any of this is your programme, tell me
Concerto dates, residencies, masterclasses and private study — in South Florida and on tour.